Especially when we're talking about the sort of crisp digital sounds of a wavetable synth or even the harmonic engine.Īn Australian family, accustomed to seeing kangaroos and koalas in their backyard, was left delighted and in awe on April 18, when a family of Canadian black bears visited their Ontario home.Rebecca Winder told Storyful her family has recently relocated to Saulte Ste Marie, where they will live for one year.“We had really hoped to show our kids some bears in the wild, and our son (Thomas aged 7) has always had a fascination with bears,” Winder said.Winder captured the magical moment a mother bear and her two cubs pop over a fence and then climb a tree in her family’s backyard.Squeals of laughter and calls of “I want to hug them!” and “I love bears!” can be heard from the children as they soak in the life-changing experience.“Our kids have grown up with a love for the outdoors in Australia, and we regularly get visited by kangaroos in our yard,” Ward explained to Storyful. Those aren't the kinds features that inspire fawning headlines, but they can add a lot of depth and nuance to your sounds.

This new third layer to a sound is specifically for adding noise and sub bass. Personally I think the most exciting addition is the utility engine.

It also has dual morphing formant filters that can sand off some of the harsh edges, allowing you to get vowel like sounds. A little bit of detune and reverb can go a long way here. I'm especially a fan when it comes to low bassy growls and drones. The results are often reedy or organ-like. The TL DR version is that it uses a combination of sinewaves at different frequencies to generate harmonic overtones.

Harmonic additive synthesis is not a particular common method for sound generation, but it can be quite fun and unique.

That harmonic engine is probably the headlining feature of Pigments 3.